![]() ![]() Bissell (whose extraordinary Powys collection is now to be found at the Dorset County Museum), Raymond Carr, Glen Cavaliero, Hugh Cecil, Ted Crawford, Andy Croft, Louise de Bruin, Francis Ellingham, Martyn Everett, Sharif Gemie, Paul Gibbard, Karen Goaman, Paul Gordon, Dorothy Greenald, Judy Greenway, Peter Powys Grey, Steven Halliwell, Julian Harber, Cecily Hill, Peter Hirschmann, Christian Høgsbjerg, Belinda Humfrey, James Joll, Ian Jones (for the loan of many of Edward Carpenter’s books), W.J. I am indebted for information, material, stimulation and advice to very many others, who include Cathy Adeane, Alan Anderson, Paul Anderson, John Barnes, Heiner Becker, Mark Beeson, Dave Berry, Janet Biehl, David Bradshaw, E.E. Ivan AvakumoviĆ once bought me lunch in Vancouver I had some correspondence with George Woodcock and a very little with Tony Gibson and I have met Stuart Christie once or twice. I only met Edward Thompson on two or three occasions and so have had had to rely almost exclusively on his marvellous writings as well as the assistance of Dorothy Thompson. I also knew, but much less well, Albert Meltzer, Norman Potter, Geoffrey Ostergaard and Ronald Sampson (whose daughter, Elizabeth Sampson, I also need to thank). I have also enjoyed the friendship over many years of Carole Pateman, Nicolas Walter, Peter Marshall, Alan Carter and Vernon Richards. It is appropriate to mention here also Ben Read, Herbert Read’s youngest son and literary executor, the keeper of his father’s flame and an energetic support for all who write about him. I should thank too Jane Comfort, Nicholas Comfort, Jeanne Pallis, Michael Pallis, Ken Weller and Harriet Ward. I have had the privilege of knowing reasonably well two of my principal subjects, Alex Comfort and Chris Pallis, and a third, Colin Ward, extremely well, and I am indebted to them for answering my questions and providing me with access to their records. Priestley Library, University of Bradford (and its too little utilized Commonweal Collection) the British Library and the British Library of Political and Economic Science, London School of Economics (much appreciated for its open access to the shelves). I have also made great use of not only the Brotherton Library, University of Leeds, but also the J.B. Yet another idea is a puzzle with a Lost Ship type mask that flies in a circle with season orbs, and in order to solve the puzzle you need the mask to hit the season orbs in the right order by going back and forth into the spirit world.For Che Mah without whose love, companionship, enjoyment of life and sense of fun it is improbable this book would ever have been writtenįirst I must thank the following institutions and their staff for access to various collections: International Institute of Social History, Amsterdam (Goldman Archive) University of Leeds (Central Records) Special Collections, Brotherton Library, University of Leeds (Mattison Collection and Read Library) University College London (Alex Comfort Papers) William Andrews Clark Memorial Library, University of California, Los Angeles Museum of People’s History, Manchester (Communist Party Archive) University of Reading (Routledge Archive) Sheffield Archives (Carpenter Collection) University of Victoria, Victoria, BC (Read Archive). ![]() We’d also like to have another puzzle like the one in Puzzle World back in Tai Ming, with statues in the past that you can move and that break and fall in different direction in the present. This could for instance work with a phase shift puzzle with obstacles that change depending on the season – for instance, a waterfall you can bounce off of when it’s frozen in winter or mirror blocks with large plants growing on top of them that wither and fall down to block the mirrors in autumn and winter.Īnother idea, this one by Fred, involving winds and water: This means you’ll need to time what you do before the season is changed again. One involves a clock of sorts that automatically changes what season is in a room in fixed intervals, so after being winter for a set time, it’ll change automatically to spring, and so on. Of course, this means we’ve thought a lot about various puzzle ideas recently, and while none are completely set in stone yet we think we have a couple nice ingredients to make interesting puzzles. Yes, originally we said it’ll just be a boss rush, but for pacing’s sake and because a lot of your wanted some variation, we’ve decided to add just a little something – basically, you’ll end up on a floor where the mirror spawns three different rooms which you’ll have to complete in order for the elevator to continue moving. The next thing on our to-do list for the final dungeon is a little puzzle section. ![]()
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